Dark Sky Films Drops First Trailer and Poster for Larry Fessenden’s Low-Budget Independent Werewolf Flick, ‘Blackout.
Hold onto your silver bullets, folks, because Dark Sky Films is unleashing a howling good time with ‘Blackout,’ the latest indie gem from the twisted mind of director Larry Fessenden.
Picture this: a struggling artist who’s convinced he’s a werewolf, running amok in a sleepy American town like a furry tornado. It’s like Van Gogh meets Teen Wolf, with a side of chaos and a dash of moonlit madness!
And guess what? The fun doesn’t stop there! ‘Blackout’ is hitting the big apple for a one-week exclusive engagement at the IFC Center on March 13th. Get ready for special cast appearances, Q&A sessions, and enough werewolf shenanigans to make even the most stoic New Yorker crack a smile!
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But fear not, fellow cinephiles – if you can’t make it to the concrete jungle, ‘Blackout’ will be tearing up digital platforms and VOD nationwide on April 12th. It’s like ordering a pizza – but instead of pepperoni, you get werewolves.
So, grab your popcorn, sharpen your silver stakes, and get ready for a howling good time. Check out the trailer and poster below – just don’t watch them alone in the dark!”
Check out the trailer and poster below.
Writer-director Larry Fessenden has created some of the most original and memorable independent horror films of the last 25 years, from Habit and Wendigo to The Last Winter, Skin and Bones, Beneath and Depraved. His latest ranks among his most chilling and thought-provoking works with a cast that includes: Alex Hurt, Addison Timlin, Motell Gyn Foster, Joseph Castillo-Midyett, Ella Rae Peck, Rigo Garay, John Speredakos, Michael Buscemi, Jeremy Holm, Joe Swanberg, James Le Gros, Kevin Corrigan, Marshall Bell and Barbara Crampton.
Earning rave reviews on the festival circuit, Blackout marks the long-awaited reunion of Dark Sky Films and Larry Fessenden’s Glass Eye Pix, two iconic horror companies that brought us contemporary classics such as Ti West’s The House of The Devil and The Innkeepers, Jim Mickle’s Stake Land and Adrian Garcia Bogliano’s Late Phases.
Painter Charley (Alex Hurt, Minyan, TV’s New Amsterdam) wakes up in an upstate motel where he appears to have been living for some time. After he packs and leaves he encounters various people in the small town where everybody knows your name. Charley is saying goodbye to the estranged love of his life, Sharon (Addison Timlin, Submission, TV’s American Horror Stories), and settling his affairs with a manic urgency that culminates with a call to a friend, Earl (Motell Gyn Foster, Marriage Story, A Dog’s Way Home), saying: “You better be ready, I’m coming.”
But Charley never makes it to his friend’s house: When the sun goes down he has convulsions while driving his car, goes off the road and ends up in a ditch. Charley, it seems, is a werewolf. He attacks his rescuers and moves through the outskirts of town at night wreaking havoc. But the next day he can’t remember the things he’s done. Now the tight-knit town must rally to find out what is tearing it apart: mistrust, fear, or a vicious monster.
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